#dance

Delrick Holland, Wilurarra Creative Studio, 2010.

Joella Butler, 2013. ‘Tjalaku – Going for honey ants in the Toyota’.

Trenton Giles, Wilurarra Creative Studio, 2015.

Tjarlirli by Esther Giles, 2016. This painting is of the waterholes and sandhills of Esther Giles’ traditional country around Tjarlirli.

Leaves and other small objects are used to represent characters in sand stories.

The WDVA team documenting sand storytelling in the Ngaanyatjarra Lands.

Purrungu by Elizabeth Marrkilyi Ellis, 2016. This painting is of the country around Purrungu which was created by the Kutungu Woman in the Tjukurrpa

Saja Noreum at the 2017 Sokcho Diasporic Cultural Festival.

Scene of Bukcheong Saja Noreum performed at Sokcho in 1957.

The lion and all the players.

Visiting houses on the first full moon day in 2016.

Bedhaya Pankur danced at Taman Budaya Jawa Tengah, Surakarta, Indonesia, on June 28th, 2007. The blumbangon formation which depicts a battle scene.

Srimpi Gondokusumo danced at SMKN8 (SMKI), Surakarta, Indonesia on November 26th, 2006. In srimpi choreography, two dancers are seated on the floor in a silent scene called a sirep.

Srimpi Gondokusumo danced at SMKN8 (SMKI), Surakarta, Indonesia on November 26th, 2006. The Tawing movement in which dancers maintain the face-to-face formation.

Srimpi Gondokusumo danced at SMKN8 (SMKI), Surakarta, Indonesia on November 26th, 2006.The Ridong Trap Dahi movement.

Bedhaya Pankur danced at Taman Budaya Jawa Tengah, Surakarta, Indonesia, on June 28th, 2007. The end of the performance showing the Mangenjali posture.

Hyottko dance on a dashi.

Okame dance on a dashi.

A wooden festival wago, or dashi, in front of its shed in Ishioka