#digitisation

The carpenter trying the VR application

Footage from the video viewing, with the joiner viewing our edited shadowing footage on a laptop and commenting on it.

An example of a dovetail joint.

Footage from our shadowing-capture, from both the stationary and handheld cameras.

Footage from our evaluation with the joiner (left) and the carpenter (middle).

Left: photo of an OmuHimba woman. Right: 3D model of the OmuHimba woman.

Left: photo of a traditional OvaHimba dwelling. Right: 3D model of the dwelling.

Uriaieke taking a photo of an OmuHimba woman in front of a traditional dwelling.

Uriaieke taking photos of his wife while being provided with shade by one of the researchers.

An OvaHimba bracelet with an augmented reality application.

Left: photo of an OmuHimba woman. Right: 3D model of the OmuHimba woman.

Traditional hair style.

Traditional designs from Igbo Land, Nigeria.

Traditional dancers in West Africa.

Toghu cloth is the traditional cloth worn in the Northwest region of Cameroon.

A musician plays traditional African music during the closing ceremony ofFrench RECAMP-concept (reinforcement of African peacekeeping capacities) inDouala, 23 November 2006.

Toghu cloth is the traditional cloth worn in the Northwest region of Cameroon.

Traditional sculpture from Cameroon.

Masks from West Cameroon.

A panel discussion about heritage archives in progress during a community theme day.

Archive of contemporary artefacts from the community,accompanied by personal narratives.

Participants and audience gathered in the Light is History‘contact zone’ in Hakaniemi Market Square, Helsinki.

A member of the community submitting a personal history associated withAkseli Gallen-Kallela.

Artefacts, ephemera and ICH on the Haloo Akseli digital archive.

Children and community participants at a digitisation workshopat the Gallen-Kallela Museum.