Volume 11
Performing Arts
‘All Hands on Deck’: the ‘Sailing’ Landships as unique Cultural Icons of Barbados
‘All Hands on Deck’: the ‘Sailing’ Landships as unique Cultural Icons of Barbados
The Name of the Game: Oware as Men’s Social Space from Caribbean Slavery to Post-Colonial Times
Losing our Masks: Traditional Masquerade and Changing Constructs of Barbadian Identity
Barbadian Bio-cultural Heritage: an Analysis of the Flying Fish
These dancers perform the Landship at the Crop Over Awards ceremony in 2013.
The Barbados Landship performing the maypole in theCity of Bridgetown as seen in this 35th anniversarycommemorative stamp.
The Pinelands Creative Workshop children performing Landship at NIFCA.
Three Views of an Oware game board from Ghana, West Africa.
Matthew Clarke’s Graphic Novel Image of Landships in Third Dimension.
Three Views of an Oware game board from Ghana, West Africa.
Oware Board game in Tidjikja, Mauritania.
Two Barbadian master players of Warri in Speightstown.
Three Views of an Oware game board from Ghana, West Africa.
Villagers in an open space/pasture being entertained by a masked stilt walker and band and a lady dancing to the music,1880s.
Barbados one dollar coin.
Logo of the Barbados Tourist Authority.
Flying fish sculpture at the Grantley Adams International Airport.
Fish processor at Oistins fish market.
A four-winged flying fish.
Boat with screelers and gill net.
Tinted engraving of flying fish, Stewart.