Volume 17
Social Practices, Rituals and Festive Events, Traditional Craftsmanship
Turkish bath tradition: The example of Gaziantep, Turkey
Turkish bath tradition: The example of Gaziantep, Turkey
Living site, living values: the Matendera festival as practice in community conservation and presentation
Panaad and the Paril: Traditional Systems of Soil and Water Conservation in Cebu, the Philippines
Sanctuary of the Spirits: Okwu-muo, Ori Oke and ‘Mammy Water’ in the Veneration of Sacred Natural Sites in Southern Nigeria
Ghost of the Forest: the Tangible and Intangible in Natural and Cultural Heritage
An Integrated Methodology for the Conservation of Traditional Craftsmanship in Historic Buildings
Safeguarding the 'path of the souls' : the Don Bosco Museum of Cultures
Free standing dry-stone-walling at Matendera, and the crown of the kopje from which the granite used to build the monument was sourced.
Traditional performances during the Matendera festival.
Participants showing traditional dishes they have prepared for the cooking competition.
Traditional dances performed by school children from nearby schools.
A series of datags and stonewalls rising in a series of terraces in Sitio Cabalawan, Barangay Tabayag.
A paril (stone wall structure) built to collect eroded soil.
Mt. Lantoy, considered a sacred site in the upland barangays of Argao. It wasdeclared a watershed forest reserve by the government of the Philippines.
A corn farm (in a wide datag) in Sitio Cabalawan, Barangay Tabayag.
Oke Maria site in Oka Akoko, Ondo State, Nigeria.https://plus.google.com/100557817261797835372/posts/QUqHp5Haj1J
Charm nailed to the bark of a Milicia excelsa tree in Ibadan, Nigeria.
The Solitaire (Pezophaps solitaria) was said to ...make a great noise withtheir wings when angry, and the noise is something like thunder in thedistance. (1891)
Whales entering rivers intentionally, possibly to rest or to get rid of marine parasites in fresh water, may have been a more common phenomenon in the past. This humpback whale calf and its mother entered the Sacramento River, California in 2007.
The Imperial woodpecker (Campephilus imperialis) which threw himself over on his tail, with outspread wings, presenting a warlike front of threatening beak and talons. This pair are displayed in the Naturhistorische Landessammlung Wiesbaden, Germany.
Rock paintings of domestic and wild animals at the World Heritage Site of Tadrart Acacus in Libya. The tangible and intangible properties of the natural species inspired human artists.
The Kagu (Rhynochetos jubatus) is also known as the ‘Ghost of the Forest’. Its calls are echoed in the traditional songs and dances of New Caledonia.
The ‘peculiar manners’ of Erythromachus leguati included the phenomenon that If you offer them anything that is red, they are so angry that they will fly at you to catch it out of your hand. Only its bones survive. (1879)
The Passenger pigeon migrated in immense flocks in search of food. This may still affect the species composition of some forests.
Whale skeletons found in Wadi al-Hitan, Egypt, give us an insight into these creatures’ anatomy but their behaviour remains unknown to us.
Ornamented wooden panel carved using traditional techniques and tools.
Building master working on the model of the carved-out settlementin tuff stone using traditional techniques and tools.
Master and apprentice carving the motifs on the wooden panelusing traditional techniques and tools.
Ornamental marble column carved using traditional techniques and tools.
Carving motifs on the niche using traditional techniques and tools.
Master and apprentice drawing motifs on the flat wooden panel.
Ornamented niche carved in tuff stone using traditional techniques and tools.
Traditional fireplace embellished with geometricmotifs carved in tuff stone using traditionaltechniques and tools.
Student carving the capital of a marble column using traditional techniques and tools.
One of the family chapels of Tolimán: 18th century wall paintings and contemporary stewards.
The Peña Bernal, one of the defining natural features of the Otomi-Chichimeca region.
The chanting procession, with the women, taking part, going to the exhibition hall of the Don Bosco Museum of Cultures.
Liberio Uiagomeareu, Kleber Meri Tororeu and Orlando Kuira preparing the human remains for the chanting ritual in the entrance hall of the Don Bosco Museum of Cultures.
The chief chanter, Helinho Kuruguga, performing the Roia Kurireu (the great chant).
The ‘path of the souls’, the imaginary line that divides a village into north and south, represented by a showcase in the exhibition hall.
Agostinho Eibajiwu and Ailton Meri Ekureu sing and dance around the human remains in the entrance hall of the Don Bosco Museum of Cultures.
The moment before the human remains were placed in the ‘path of the souls’ showcase.