Volume 18
Traditional Craftsmanship
Adapting the Living Human Treasures idea in Flanders (Belgium): The case of craftsmanship
Adapting the Living Human Treasures idea in Flanders (Belgium): The case of craftsmanship
Integrating ICH and education: A review of converging theories and methods
Wangkarra : communication and the verbal arts of Australia’s Western Desert
Disappearing Dialect: the Idu-Mishmi Language of Arunachal Pradesh(India)
An Integrated Methodology for the Conservation of Traditional Craftsmanship in Historic Buildings
A network of traditional knowledge: the intangible heritage of water distribution in Bahrain
Tanedori of Taketomi Island: Intergenerational Transmission of Intangible Heritage.
Graphic elements in a sand story, representing people (‘U’ shapes), a fire, artefacts, and an enclosing shelter. Drawing by Elizabeth Marrkilyi Ellis.
Joella Butler, 2013. ‘Tjalaku – Going for honey ants in the Toyota’.
The WDVA team documenting sand storytelling in the Ngaanyatjarra Lands.
Purrungu by Elizabeth Marrkilyi Ellis, 2016. This painting is of the country around Purrungu which was created by the Kutungu Woman in the Tjukurrpa
Leaves and other small objects are used to represent characters in sand stories.
Tjarlirli by Esther Giles, 2016. This painting is of the waterholes and sandhills of Esther Giles’ traditional country around Tjarlirli.
The skulls of sacrificed mithuns are hung on the walls of houses to demonstrate the wealth of the household.
An Idu woman at her loom.
Pachu Pulu, an igu (priest) conducting a ritual during the Reh festival in February 2014.
Idu children in traditional dress.
Ornamented wooden panel carved using traditional techniques and tools.
Building master working on the model of the carved-out settlementin tuff stone using traditional techniques and tools.
Ornamented niche carved in tuff stone using traditional techniques and tools.
Master and apprentice drawing motifs on the flat wooden panel.
Carving motifs on the niche using traditional techniques and tools.
Ornamental marble column carved using traditional techniques and tools.
Master and apprentice carving the motifs on the wooden panelusing traditional techniques and tools.
Student carving the capital of a marble column using traditional techniques and tools.
Traditional fireplace embellished with geometricmotifs carved in tuff stone using traditionaltechniques and tools.
Irrigation channels in a multi-crop garden.
A farmer shows water flowing into the general reservoir from which distribution begins.
A public gathering on a farm to discuss irrigation matters.
Irrigation channels in a multi-crop garden.
A closed community meeting to discuss the division of an electricity bill.
Irrigation channels in a palm garden.
An improvised garden majlis for meetings of the farming community.
A farm worker redirects the flow of water by closing off a channel with old rags.
Impression of the semi-rural township of Inanda, north of Durban (eThekwini Municipality).
Srimpi Gondokusumo danced at SMKN8 (SMKI), Surakarta, Indonesia on November 26th, 2006.The Ridong Trap Dahi movement.
People beating drums and gongs and conducting the morning Yu-kui. One of the men is the principal of Taketomi primary school.