#value

Puppetry research conference presentation.

Fieldwork and in-depth semi-structured interviews, Edinburgh International Festival.

Workshop with puppetry stakeholders in Norwich.

Fieldwork, Shanghai Theatre Academy.

De Luca’s Restaurant in Pittsburgh on a Sunday morning.

A food stand at Bogotá’s Festival de Chicha offers fritanga, a traditional dish that combines potatoes and plantains with blood sausage and other meats.

The Bar Mataderos, adjacent to the site of the well-known Feria de Mataderos in a working-class neighbourhood of Buenos Aires: recognition of its heritage value has not affected the décor.

A memorial in the sidewalk marks the spot where Cecilia Viñas and Hugo Penino lived and were kidnapped and ‘disappeared’ by Argentina’s military dictatorship on July 13, 1997. About 250 victims of oppression have been similarily commemorated by the organisation Barrios X Memoria y Justicia.

Books, coasters, and leaflets are part of the marketing support the government of Buenos Aires provides for bars, cafés, and other establishments judged to have heritage value.

One of the family chapels of Tolimán: 18th century wall paintings and contemporary stewards.

The Peña Bernal, one of the defining natural features of the Otomi-Chichimeca region.

The piña is the fibrous, sugar-filled heart of the agave plant. A pile of them awaits the processing that will turn them into tequila at the historic headquarters of a leading producer. Most of the firm’s production, however, takes place in a modern distillery.

Srimpi Gondokusumo danced at SMKN8 (SMKI), Surakarta, Indonesia on November 26th, 2006. The Tawing movement in which dancers maintain the face-to-face formation.

Srimpi Gondokusumo danced at SMKN8 (SMKI), Surakarta, Indonesia on November 26th, 2006. In srimpi choreography, two dancers are seated on the floor in a silent scene called a sirep.

Srimpi Gondokusumo danced at SMKN8 (SMKI), Surakarta, Indonesia on November 26th, 2006.The first part of the music in which the dancers all face the same way.

Bedhaya Pankur danced at Taman Budaya Jawa Tengah, Surakarta, Indonesia, on June 28th, 2007. The end of the performance showing the Mangenjali posture.