Northern Lights on Indigenous Intangible Heritage: a changing legal landscape in Sápmi
Negotiating the intangible heritage of Awka traditional paraphernalia in modern society
UNESCO’s Convention for the Safeguarding of the Intangible Cultural Heritage and the ‘goodness criteria’
Craftsmanship in virtual reality: digital development and evaluation of traditional South African beer brewing
Safeguarding manuscript-reading tradition as living heritage through ritual: mocoan tradition of an Osing family in Banyuwangi, Indonesia
Hermano mayor: fiesta sponsorship in the contemporary Philippines
Between People and Place: Folklore Pertaining to the Natural Environment in a Farming Community in Argao, Cebu
Cultural impacts of state interventions: Traditional craftsmanship in China’s porcelain capital in the mid to late 20th century
Intangible cultural heritage and societal gender structures: An interview study focusing on changes in gender roles and gender restrictions in Japanese float festivals
The status of women weavers as heritage bearers: Accounts of social transformation and empowerment in the province of Canchis, Cuzco, Peru
An approach to enhancing contemporary handmade products with historic narratives
Sanctuary of the Spirits: Okwu-muo, Ori Oke and ‘Mammy Water’ in the Veneration of Sacred Natural Sites in Southern Nigeria
‘All Hands on Deck’: the ‘Sailing’ Landships as unique Cultural Icons of Barbados
Chuskor: Traditional Water Mills of the Dirang Monpas of Arunachal Pradesh
Disappearing Dialect: the Idu-Mishmi Language of Arunachal Pradesh(India)
Food for the Soul: Eternal Co-existence in the Mayan-Catholic Traditions of Pomuch, Mexico
An Integrated Methodology for the Conservation of Traditional Craftsmanship in Historic Buildings
Sacred water: rediscovering the ancient hydraulic system of Angkor and traditional knowledge of water management and engineering systems
The value of memory: Suakin’s cultural heritage - significant for whom?
Altai Kazakh falconry as ‘heritage tourism’: the Golden Eagle Festivals of Western Mongolia
Ethnological Values and Opportunities for Establishing a Heritage Policy around Tuna-trapping in Andalusia (Spain)
The Intangible Cultural Heritage of Wales: a Need for Safeguarding?
Barbadian Bio-cultural Heritage: an Analysis of the Flying Fish
The Ritual of Boat Incineration on the Island of Vis, Croatia: an Interpretation
Asian Indian Celebrations of Ethnicity: Perspectives from the Mid-western United States
The System of Sponsorship for Processional Images and the Traditions Associated with them in Cabiao, Nueva Ecija, the Philippines
The Catalan Fishermen’s Traditional Knowledge of Climate and the Weather: a Distinctive Way of Relating to Nature
Project Report: the National 'Human Living Treasures' Programme of the Astra Museum, Sibiu, Romania
Linking the Present with the Past through Intangible Heritage in History Museums
Toghu cloth is the traditional cloth worn in the Northwest region of Cameroon.
Toghu cloth is the traditional cloth worn in the Northwest region of Cameroon.
Oke Maria site in Oka Akoko, Ondo State, Nigeria.https://plus.google.com/100557817261797835372/posts/QUqHp5Haj1J
Charm nailed to the bark of a Milicia excelsa tree in Ibadan, Nigeria.
The Pinelands Creative Workshop children performing Landship at NIFCA.
The Barbados Landship performing the maypole in theCity of Bridgetown as seen in this 35th anniversarycommemorative stamp.
These dancers perform the Landship at the Crop Over Awards ceremony in 2013.
Rangthang and jangpa grinding flour.
The skulls of sacrificed mithuns are hung on the walls of houses to demonstrate the wealth of the household.
Idu children in traditional dress.
Pachu Pulu, an igu (priest) conducting a ritual during the Reh festival in February 2014.
An Idu woman at her loom.
Mayan names.Photo: by permission of Eva Chaire, October 2013.
Wooden cross on top of bones.
Cleaning and dressing the bones.
Image of the Immaculate Conception of the Virgin Mary.
Bones exposed at the cemetery in a family ossuary. Photo: by permission of Eva Chaire, October 2013.
Mr Rafael Pérez Novelo in his bakery ‘Pomuch’s Bread’.
Parish Church of the Immaculate Conception of the Virgin Mary.
Mrs Rosa Yam showing a hipil.
The dough is wrapped in banana leaves.
Covering the earth oven to cook the pibipollos.
Ornamented wooden panel carved using traditional techniques and tools.
Student carving the capital of a marble column using traditional techniques and tools.
Traditional fireplace embellished with geometricmotifs carved in tuff stone using traditionaltechniques and tools.
Building master working on the model of the carved-out settlementin tuff stone using traditional techniques and tools.
Ornamental marble column carved using traditional techniques and tools.
Carving motifs on the niche using traditional techniques and tools.
Master and apprentice drawing motifs on the flat wooden panel.
Master and apprentice carving the motifs on the wooden panelusing traditional techniques and tools.
Ornamented niche carved in tuff stone using traditional techniques and tools.
Ceremony at Neak Poan – praying for rain, day 1 of the ceremony.
Angkor Wat, aerial and general views.
Detail of the 9th century Bampenh Reach spillway which directed water to the Capital, Roluos (later to Angkor) showing details of the grooves in the laterite blocks.
Fishing in the North Baray.
Angkor Wat, aerial and general views.
Ceremony at Neak Poan - praying for rain, day 2 of the ceremony.
Detail of the 9th century Bampenh Reach spillway which directed water to the Capital, Roluos (later to Angkor) showing details of the grooves in the laterite blocks.
Tourists boating on the North Baray.
Neak Poan and its water basins.
Fishing in the North Baray.
Neak Poan and its water basins.
On the way to visit the shrine after Eid prayers.
An example of an old house in Suakin showing the fine woodwork.
A congregation attending Eid prayers.
A local boat building yard.
Showing the enduring relationship the Suakinese have with the sea.
Showing the enduring relationship the Suakinese have with the sea.
Locally made, vibrantly coloured boats.
The eagle ‘recall’ contest at the Ulgii Festival in 2012.
Local shops selling traditional arts and crafts at the Ulgii Festival in 2012.
Kok-Bal (traditional wrestling on horseback) at the Ulgii Festival in 2012.
The Master Komarkhan, one of the most famous eagle hunters, taken at the Ulgii Festival in 2006.
A male student (UAEU) showing a hard copy of an online article on Emirati folk heritage.
One of the family chapels of Tolimán: 18th century wall paintings and contemporary stewards.
The Peña Bernal, one of the defining natural features of the Otomi-Chichimeca region.
‘Spot and Pull’ Tuna Trap of Conil (Cádiz), 1765. Hand-drawn map where the stages of this kind of fishery are explained. The actions and tasks involved are represented in a two part sequence (the first operations are drawn at the top, the following ones at the bottom). The look-out towers (torres vigía) are shown.
Tuna fishing - a reflection by Salvador Dali on the struggle between Man and Nature along the Iberian Mediterranean coast. (304 x 404 cms)
Quema [burning] de Juan y Juana festival (St John’s Day) has traditionally marked the end of the inbound fishing season. It is still celebrated today by the group of workers from Huelva province employed at the Zahara de los Atunes fishery, in the town of Barbate in Cadiz province.
An Asian worker cutting and filleting tuna in Barbate: the so-called ronqueo, which is the basis for the species use as food.
Barbados one dollar coin.
Logo of the Barbados Tourist Authority.
Fish processor at Oistins fish market.
Boat with screelers and gill net.
Tinted engraving of flying fish, Stewart.
A four-winged flying fish.
Flying fish sculpture at the Grantley Adams International Airport.
Feature entitled ‘The cutest hair arrangements for novice Yukata wearers’.
At the Bingata artist event, Sachiko Yafuso (right), a craftswoman, explains how to make Bingata.
Cover of Kimono-salon, Spring 2011, featuring a popular TV anchor-woman in a kimono.
The statue of St. Nicholas being carried in procession.
Three boats burning in front of St. Nicholas' Church.
St. Nicholas' Church, once a Benedictine Abbey.
Wooden boats chosen for incineration on the beach at Komiža.
Burning a wooden boat outside St. Nicholas Church (est. c.1000 AD)
The mambabasa (chanters) chanting the Passion of Christ in front of the images of the non-processional Santo Entierro (left) and the Nazareno of the Tercera Caida(right).
A child dressed as an angel lifts the mourning veil of Our Lady during the Salubong ('encounter'), the early morning procession on Easter Sunday.
The carrozas that carry the images waiting in the courtyard of the church at Cabiao before the start of the procession.
The images of Christ and the angel from the carroza of The Agony in the Garden were carved by Adrian Cristobal.
The Nazareno of the Tercera Caida being prepared for the Holy Wednesday procession.
The silver carroza of Saint John is decorated with lotus flower motifs.
The carroza of the Santo Entierro is decorated with sampaguita garlands in preparation for the Good Friday procession.
The silver carroza of Our Lady of Sorrows being prepared for the Holy Wednesday procession.
Windy clouds over Mount Montseny.
White horses (Esqueixalls.
Wind from the land (Vent Terral).
S.W. wind seen from the fishing boat Tramuntana.
Wall of cloud in the east.
Windy day seen from the fishing boat Tramuntana.
Two fishermen in the tavern at the Port of Arenys.
Exhibition opening at the new Centre for Traditional Crafts in Ptuj, Slovenia.
Mrs. Vera Hubicki, the gingerbread maker from Marija Bistrica, Croatia.
Mr. Vilko Kukec, a trough maker from the village of Selnica Gornja, Croatia
Cultural demonstrators performing a traditional dance at the museum.
Diagram showing part of the UK’s Moving Here -200 Years of Migration Network.
One of Nampeyo’s pots showing a unique design that has never been repeated, Oslo collection UEM13602.
The section of the exhibition that featured stories about the traditions observed by communities that border the turnpike.
A general illustration for the exhibition.
An image of the sideboard whose drawers represented different family traditions and displayed foodstuffs, spices, and utensils used in the preparation or consumption of each.
The section of the exhibition that juxtaposed a TV tray and frozen dinner with a TV showing movie and television excepts of family dinners and raised issues relating to the viability of the family dinner in contemporary society.
A photograph of "the pile" as the debris at the World Trade Center site was called by the rescue workers as well as a hard hat and boots given to the Historical Society's historian during the oral history interview she did with one of the workers.
A photograph of a group of the first responders from New Jersey, volunteers who answered the call for help at the World Trade Center on the morning of September 11th.
This one depicts the introductory area of our "Teenage New Jersey" exhibition.
The section of the exhibition that displayed photos and told stories relating to the chow mein noodles sold to benefit the Japanese community's Buddhist temple in Seabrook, New Jersey.