Northern Lights on Indigenous Intangible Heritage: a changing legal landscape in Sápmi
Negotiating the intangible heritage of Awka traditional paraphernalia in modern society
Craftsmanship in virtual reality: digital development and evaluation of traditional South African beer brewing
Between People and Place: Folklore Pertaining to the Natural Environment in a Farming Community in Argao, Cebu
Cultural impacts of state interventions: Traditional craftsmanship in China’s porcelain capital in the mid to late 20th century
The status of women weavers as heritage bearers: Accounts of social transformation and empowerment in the province of Canchis, Cuzco, Peru
An approach to enhancing contemporary handmade products with historic narratives
Sanctuary of the Spirits: Okwu-muo, Ori Oke and ‘Mammy Water’ in the Veneration of Sacred Natural Sites in Southern Nigeria
‘All Hands on Deck’: the ‘Sailing’ Landships as unique Cultural Icons of Barbados
Chuskor: Traditional Water Mills of the Dirang Monpas of Arunachal Pradesh
An Integrated Methodology for the Conservation of Traditional Craftsmanship in Historic Buildings
Sacred water: rediscovering the ancient hydraulic system of Angkor and traditional knowledge of water management and engineering systems
Altai Kazakh falconry as ‘heritage tourism’: the Golden Eagle Festivals of Western Mongolia
Barbadian Bio-cultural Heritage: an Analysis of the Flying Fish
The Ritual of Boat Incineration on the Island of Vis, Croatia: an Interpretation
The Catalan Fishermen’s Traditional Knowledge of Climate and the Weather: a Distinctive Way of Relating to Nature
Project Report: the National 'Human Living Treasures' Programme of the Astra Museum, Sibiu, Romania
Toghu cloth is the traditional cloth worn in the Northwest region of Cameroon.
Toghu cloth is the traditional cloth worn in the Northwest region of Cameroon.
Oke Maria site in Oka Akoko, Ondo State, Nigeria.https://plus.google.com/100557817261797835372/posts/QUqHp5Haj1J
Charm nailed to the bark of a Milicia excelsa tree in Ibadan, Nigeria.
The Barbados Landship performing the maypole in theCity of Bridgetown as seen in this 35th anniversarycommemorative stamp.
These dancers perform the Landship at the Crop Over Awards ceremony in 2013.
The Pinelands Creative Workshop children performing Landship at NIFCA.
Rangthang and jangpa grinding flour.
Ornamented wooden panel carved using traditional techniques and tools.
Student carving the capital of a marble column using traditional techniques and tools.
Traditional fireplace embellished with geometricmotifs carved in tuff stone using traditionaltechniques and tools.
Building master working on the model of the carved-out settlementin tuff stone using traditional techniques and tools.
Ornamental marble column carved using traditional techniques and tools.
Carving motifs on the niche using traditional techniques and tools.
Master and apprentice drawing motifs on the flat wooden panel.
Master and apprentice carving the motifs on the wooden panelusing traditional techniques and tools.
Ornamented niche carved in tuff stone using traditional techniques and tools.
Ceremony at Neak Poan – praying for rain, day 1 of the ceremony.
Angkor Wat, aerial and general views.
Detail of the 9th century Bampenh Reach spillway which directed water to the Capital, Roluos (later to Angkor) showing details of the grooves in the laterite blocks.
Fishing in the North Baray.
Angkor Wat, aerial and general views.
Ceremony at Neak Poan - praying for rain, day 2 of the ceremony.
Detail of the 9th century Bampenh Reach spillway which directed water to the Capital, Roluos (later to Angkor) showing details of the grooves in the laterite blocks.
Tourists boating on the North Baray.
Neak Poan and its water basins.
Fishing in the North Baray.
Neak Poan and its water basins.
Kok-Bal (traditional wrestling on horseback) at the Ulgii Festival in 2012.
The Master Komarkhan, one of the most famous eagle hunters, taken at the Ulgii Festival in 2006.
Local shops selling traditional arts and crafts at the Ulgii Festival in 2012.
The eagle ‘recall’ contest at the Ulgii Festival in 2012.
The Peña Bernal, one of the defining natural features of the Otomi-Chichimeca region.
One of the family chapels of Tolimán: 18th century wall paintings and contemporary stewards.
Barbados one dollar coin.
Fish processor at Oistins fish market.
A four-winged flying fish.
Boat with screelers and gill net.
Tinted engraving of flying fish, Stewart.
Flying fish sculpture at the Grantley Adams International Airport.
Logo of the Barbados Tourist Authority.
The statue of St. Nicholas being carried in procession.
Three boats burning in front of St. Nicholas' Church.
Burning a wooden boat outside St. Nicholas Church (est. c.1000 AD)
St. Nicholas' Church, once a Benedictine Abbey.
Wooden boats chosen for incineration on the beach at Komiža.
Windy clouds over Mount Montseny.
White horses (Esqueixalls.
Wind from the land (Vent Terral).
S.W. wind seen from the fishing boat Tramuntana.
Wall of cloud in the east.
Windy day seen from the fishing boat Tramuntana.
Two fishermen in the tavern at the Port of Arenys.
Exhibition opening at the new Centre for Traditional Crafts in Ptuj, Slovenia.
Mrs. Vera Hubicki, the gingerbread maker from Marija Bistrica, Croatia.
Mr. Vilko Kukec, a trough maker from the village of Selnica Gornja, Croatia
Cultural demonstrators performing a traditional dance at the museum.
Diagram showing part of the UK’s Moving Here -200 Years of Migration Network.
One of Nampeyo’s pots showing a unique design that has never been repeated, Oslo collection UEM13602.